Byte-pair separators in the hex colours, and #[must_use] on the four
constructors, which return a value and do nothing else — dropping one
is always a mistake rather than a choice.
Found by clippy::pedantic. Only this file is touched: the same run
reported ten thousand warnings across the tree, nearly all numeric
cast lints that are load-bearing in geometry code, so fixing them
wholesale is a separate decision rather than a drive-by.
A docked outline of the drawing: the three origin planes, the open
sketch, and every solid labelled with the operation that made it,
recovered through primitive_property_operation. Rows run ordinary
commands, so clicking a plane starts a sketch on it and clicking a
body selects it.
It is a table of contents, not a feature tree. The DWG history records
how each solid was built but nothing re-runs it, so an earlier feature
cannot be edited to rebuild the ones after it. Presenting the list as
editable history would promise exactly that, so the panel states what
it is instead.
Off by default and opened with BROWSER, leaving the existing dock
layout alone for anyone who does not want it.
CREATESKETCH opens a sketch on the current UCS, or on one of the three
origin planes with XY, XZ or YZ. FINISHSKETCH closes it again.
Nothing here is new machinery: the plane is a UCS, the square-on view
is PLAN, the drafting aids are the snapper. What the pair adds is
holding them together and putting them back afterwards, including the
snap master state, so a user who works with snapping off gets that
back rather than silently keeping it.
Squaring the view up is not cosmetic. Drawing on a plane seen nearly
edge-on is the main way geometry lands somewhere the user did not
mean, because a few pixels of cursor travel cover a long way in world
space.
A sketch is a mode rather than a document object, so what it produces
is ordinary model-space geometry and the file stays a DWG other
software can open. Whatever was drawn becomes the Previous selection
set, so EXTRUDE then Previous consumes it without making the user
reselect a profile they just finished.
Draw a profile, extrude it, then sketch on a face of the result: the
operations were all there, but nothing turned a solid's face into the
active drawing plane, so the second half of that loop was unreachable.
UCS FACE takes a surface pick, finds the planar face under it and
builds the plane from the face normal. X comes from the Arbitrary Axis
Algorithm, so the same face always yields the same X axis and a sketch
drawn on it does not spin when the UCS is rebuilt.
UCS OBJECT adopts a planar entity's own stored axes instead of
re-deriving X, so a sketch started from a circle lines up with how
that circle is stored. It reuses the profile extraction EXTRUDE
already runs, which means anything extrudable can also be sketched on.
Bare UCS FACE starts an interactive pick that resolves through the
same inline handler, so the clicked and typed paths cannot diverge.
Fusion Black pairs near-black chrome with a paper-white canvas, so the
drawing is the only bright thing on screen. That breaks the assumption
in theme_canvas_background that the canvas follows the chrome, hence
the explicit lookup: falling through to the palette would paint model
space black and undo the point of the theme.
Both keep a blue accent rather than going fully greyscale. Selection
highlight defaults to the theme primary, and a white primary would be
invisible against a white canvas.
These are Theme::Custom values and so are absent from iced's
Theme::ALL. all_themes() is the list to enumerate from now; the picker
in the options dialog uses it, and parse_theme_name resolves both by
name.
The running snap set was already seeded with endpoint, midpoint,
centre, node, quadrant, intersection and nearest, but the master
suppress bit was set, so none of them did anything until the user
found the status-bar pill. Snapping is what makes a drawing close
rather than nearly close; it should be live from the first click.
Only fresh configs change. A stored settings.json keeps whatever
osmode it already holds, and a legacy file carrying its own $OSMODE
still overrides on open.
The devShell carries the toolchain plus the X11, Wayland, Vulkan,
fontconfig and freetype libraries winit and wgpu dlopen at run time,
and the trunk/wasm-bindgen pair the web build needs. LD_LIBRARY_PATH
is set there too, since a dev binary runs straight out of ./target and
never gets the wrapper the package build applies.
The four git dependencies each need an entry in cargoLock.outputHashes.
They are lib.fakeHash for now; the first `nix build` prints the real
values, and they have to be refreshed whenever a rev in Cargo.toml
moves.
The toolbar Help button was a disabled tip that could never be clicked. It now opens a modal window explaining the manager on the web build: read-only reference list, disabled Attach/Refresh/Change Path (no filesystem access or native file pickers, so no add/reload/repath and no previews), nested read-only rows, and saved-drawing requirement for relative paths.
Includes a Report-an-issue button opening the GitHub issues page and a Close button; wired as ModalKind::XrefHelp through the shared modal frame so dismissal works on native and web.
The Snap and Grid tab showed static grid values with dead checkboxes, and every grid line stroked identically.
Grid X/Y spacing and Major-line-every are now editable inputs (validated 2-100 for majors, dirty-tracked, applied with an error message on bad input); Adaptive-grid and Display-beyond-Limits checkboxes are wired to live state. Every Nth line partitions into major_segments and strokes subtly brighter (1.5x alpha, 0.75px) for the reference hierarchy. GRIDMAJOR state persists to UserSettings. Covers partition, invalidation, and parse tests.
The viewport grid ignored the configured spacing and forced square grids: compute_grid_step hardcoded a 1.0 base, a single shared step drove both line families (including the tangent derivative used for gap measurement), and the display always clipped to LIMITS despite the beyond-Limits option.
Grid spacing now scales per-axis from GRIDUNIT via compute_grid_steps (adaptive 5x growth, fixed passthrough), GridParams carries step_x/step_y, snap tolerances follow the visible steps, and the LIMITS clip is skipped when beyond-Limits is set. Also fixes a per-axis overflow fallback that returned the X base for Y. Spacing state (X/Y, adaptive, beyond-Limits) is stored on the app and persisted to UserSettings at defaults; dialog wiring follows separately.
Comments and the Options help text describe the behaviour of commercial
solutions without naming any product. The command menu puts the command's
keywords directly under Enter / Cancel, with Recent Input and Snap
Overrides below them, so the choices that change from step to step are the
closest to the pointer.
Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
The command menu now follows the commercial solutions' layout row for row: Enter, Cancel,
Recent Input ▸, the command's keywords, Snap Overrides ▸ (every object snap
with its glyph, Mid Between 2 Points, None, Osnap Settings…), then Pan and
Zoom. Pan / Zoom run transparently while a command is active ('PAN,
'ZOOM …): navigation modes leave the command untouched and an interactive
ZOOM Window parks it and resumes it afterwards. Rows carry an icon gutter
so labels align; the Enter row shows a default value ("<0.5000>") as its
hint instead of a second finish row.
ARC gets the commercial solutions' prompt flow with all keywords: start [Center], second
point [Center/End], end; after Center: end [Angle/chord Length]; after
End: center [Angle/Direction/Radius]; Enter continues tangent. The
previous default (Center/Start/End with method codes) stays as ARC_CSE.
Object snaps gain a one-shot "None" override. New strings in all locales.
Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
Rows are 22 px (as the grip popup), the edit menu drops Select All and
Zoom Extents (both stay on the idle menu, matching the commercial solutions' edit menu),
and cursor-anchored panels now reserve the overlaid prompt lines
(CLIPROMPTLINES) as well as the input row, so a long menu is never hidden
behind the command area — it scrolls inside the visible canvas instead.
The automation port gains `pointer_right_press` / `pointer_right_release`
actions so scripts and MCP clients can exercise the context menu.
Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
Every new UI string (menu rows, Options → Right-click Customization, the
PLINE sub-prompts and keyword labels, MOVE/COPY/OFFSET prompts) gets its
Fluent attribute in all 21 locales plus the source → attribute rows in
locale_catalog.rs; the SETVAR help line lists SHORTCUTMENU and
SHORTCUTMENUDURATION. Tests that compared prompt text now check command
state so they pass under any UI language.
Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
A right-click while a grip is hot opens the grip menu: Enter places the
grip, Stretch / Move / Rotate / Scale / Mirror switch how the gripped
objects are edited (the latter four hand the selection to the matching
command with the grip as its base point), Base Point re-bases the gesture
at the next click, Copy leaves the originals in place and adds the moved
shapes as new entities while keeping the grip hot, Undo snaps the shapes
back to where the gesture started, Exit drops the edit.
The grip commit path moves out of the left-release handler into
`commit_active_grip_edit` so the menu, Enter and the placement click share
it; Enter with a hot grip now places it instead of repeating the last
command.
Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
MOVE: Displacement, Enter at the second point uses the base as the vector.
COPY: Displacement, mOde (Single/Multiple), Undo of the last copy.
FILLET: Undo of the last fillet (the command refreshes its entity cache
through the new CadCommand::on_document_undone hook after the host undoes
the document step). CHAMFER: Multiple and Undo. OFFSET: Erase (the offset
replaces its source), Layer (Current/Source), Undo, Exit.
POLY3D, TRACE, MIRROR and MEASUREGEOM expose the keywords they already
accepted as options, so the context menu and option buttons list them.
The pinned prompt now keeps informational bracket groups such as
"[3 objects]" and only drops real option listings when the buttons take over.
Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
PLINE now offers the commercial solutions' full option set: Arc/Close/Halfwidth/Length/
Undo/Width in line mode and Angle/CEnter/CLose/Direction/Halfwidth/Line/
Radius/Second pt/Undo/Width in arc mode, including the nested prompts
(Angle → CEnter/Radius, CEnter → Angle/Length, Radius → Angle → chord
direction). Widths land in the LwPolyline vertices (start/end per segment,
the end width carrying into the next segment) and PLINEWID persists per
session. Undo / Escape inside a sub-prompt only back out of it; every
sub-step previews its arc at the cursor.
Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
The viewport context menu is now built from a pure model
(ui::popup::context_menu) rendered by the overlay: while a command runs it
offers Enter / Cancel / every keyword of the command's options() with the
keyword shown as a hint, a Recent Input submenu and M2P; when idle it offers
Repeat, Recent Input, Clipboard, Undo/Redo with history labels, the edit
block (Erase/Move/Copy/Scale/Rotate/Mirror/Draw Order), Isolate, Pan/Zoom,
selection tools, Properties and Options. The default row is anchored under
the pointer and the menu is keyboard-navigable (arrows, Enter, mnemonic
letters; any other key closes it and types into the command line).
Right-click behaviour is a user preference (Options → User Preferences,
SHORTCUTMENU / SHORTCUTMENUDURATION): shortcut menu (commercial solutions default),
time-sensitive, or the previous Enter-first cycle.
LINE gains options() (Close/Undo/eXit).
Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
ExtrudeCommand never opted into dyn_commit_as_text(), so a typed
Enter fell through to generic point-resolution instead of
on_text_input, producing a near-zero height that silently failed
to commit. Mirror PresspullCommand's pattern, gated to the Height
step.
Co-Authored-By: Claude Sonnet 5 <noreply@anthropic.com>
Production drawings show AutoCAD stacking two equal limits for a DIMLIM
style with zero offsets; the plain-value shortcut matched one drawing from
another authoring tool and broke twenty-five that AutoCAD wrote.
AutoCAD prints 0.4255 as 0.426; Rust's formatter rounds the binary value,
which sits a hair below the decimal tie, and printed 0.425. Decimal
dimension text, tolerances and limits now settle the tie the way the
drawings do.
Alternate units multiplied the raw measurement instead of the displayed
DIMLFAC-scaled value, so a paper-space dimension's bracketed value was off
by the viewport factor, and alternate limits were written high/low with a
slash where AutoCAD stacks them like the primary limits.
A limits style whose upper and lower offsets are both zero prints the plain
value in AutoCAD, not a stack of two equal numbers. A three-point angular
dimension whose extension point sits on its vertex has no measurable angle;
AutoCAD keeps showing the angle it stored, and the text now does too instead
of reading 0 degrees. Both cases came out of comparing saved picture blocks
with regenerated text across a set of production drawings.
Dimensions with DIMLIM on were regenerated as the nominal value plus a
separate stacked pair, and the pair was built from the unscaled
measurement. AutoCAD prints only the upper limit over the lower one, with
the offsets applied to the DIMLFAC-scaled, DIMRND-rounded value, and keeps
both halves at the same number of decimals under DIMTZIN. Drawings with a
limits-only style looked right on load, from their saved picture blocks,
and gained an extra number as soon as an associative refresh dropped the
picture.
Fit and fill estimates now count visible cells, so a stack is as wide as
its wider half at DIMTFAC, and the text-to-line offset uses the stacked
height.
Before and after captures of DIMLINEAR at the second-point and placement
stages and DIMANGULAR at arc placement, taken from the upstream base and
this branch with the same automation steps.
Show the styled dimension and its value while placing a dimension, using
the same builder the command commits with. Each creation command
(DIMLINEAR, DIMALIGNED, DIMANGULAR, DIMRADIUS, DIMDIAMETER, DIMARC,
DIMJOGGED, DIMORDINATE, DIMCONTINUE, DIMBASELINE, QDIM) reports the
dimensions it would commit at the current stage through
`CadCommand::dimension_preview`. The application applies the current
creation style, or the base dimension's style for DIMCONTINUEMODE=1,
and the same viewport measurement scale as commit, then tessellates the
transient entity through the normal dimension renderer.
While the second definition point is being acquired, a hovered model
snap supplies a provisional viewport scale; once both points are fixed,
hovering another viewport does not change the value. Angular dimensions
never receive length compensation. Degenerate geometry, an invalid
scale, or conflicting viewports fall back to the plain rubber-band
preview so no misleading value is shown.
Grid snap locks to SNAPUNIT instead of magnetizing; snapped 3D points keep elevation instead of flattening to z=0. New SnapTypes Vertex/EdgeMidpoint/FaceCenter/Knot/FacePerpendicular/NearestFace with their own F4 master toggle and mode set, tiers, and markers, fully independent of the 2D master. Solid B-rep corners/edge-midpoints/face-centers from mesh edges and kernel faces, spline knot points, and live perpendicular/nearest-to-face on mesh triangles merged priority-aware in move/click paths. Drafting Settings 3D Object Snap tab is fully live (was dead placeholders); Nearest-to-face off by default. TDD: behavioral LINE-to-solid tests plus engine/scene unit tests.
Matus Mastena